Ivory Coast Reclaims Looted Drum from France

After 100 years in Paris, the "Panther-Lion" talking drum returns to Abidjan, marking a significant victory for African cultural restitution.

Traditional Ivorian chiefs in gold crowns at Abidjan airport for the return of the Djidji Ayokwè talking drum.

ABIDJAN, (Obgist) – Traditional rulers adorned in ceremonial gold and crowns gathered at Ivory Coast’s primary gateway on Friday. They came to witness the repatriation of a legendary "talking drum," an artifact French colonial forces seized over a century ago.

The drum, known as "Djidji Ayokwè" meaning Panther-Lion in the Atchan dialect, is a massive instrument. It measures over three metres and weighs nearly 400kg. This arrival marks the first successful restitution of a stolen artifact from France to the West African nation.

Historically, the Atchan people utilized the drum as a sophisticated communication tool. It alerted communities to colonial forced labour raids and served as a signal to mobilize resistance fighters. 

Its capture in 1916 was not merely the loss of a musical instrument; it was the silencing of a community's primary alarm system.

French authorities initially kept the drum at the governor's palace in Abidjan. In 1930, they shipped it to France. For decades, it remained in the Quai Branly Museum in Paris, separated from the people who understood its rhythms.

The return follows sustained diplomatic pressure on European capitals to restore African heritage. The Ivorian Ministry of Culture is currently seeking the return of 148 specific artifacts held in French collections.

Françoise Remarck, the Minister of Culture and Francophonie, described the event as a moment of profound historical significance. Traditional songs and war dances punctuated the ceremony at the airport, reflecting the emotional weight of the occasion.

Traditional Ivorian chiefs in gold crowns at Abidjan airport for the return of the Djidji Ayokwè talking drum.

"We are reclaiming our identity," noted Gervais Djoman, a traditional chief of an Atchan village. He emphasized that the absence of the drum had left a psychological void in his community.

This development comes as stakeholders across the continent demand that former colonial powers, including Britain and France, return items taken during the colonial era. 

The "Djidji Ayokwè" is now a physical symbol of these shifting macro-economic and diplomatic relations between Africa and its former colonisers.

As the drum moves from a Parisian museum back to Ivorian soil, it serves as a reminder of the enduring link between cultural heritage and national sovereignty. The government expects this to be the first of many such homecomings.

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